David with the Head of Goliath
Caravaggio's intense biblical scene (1609-1610) features revolutionary chiaroscuro and psychological depth. The head of Goliath is believed to be a self-portrait, making this both a religious narrative and a personal statement about mortality and redemption during the artist's exile.
Adoration of the Magi
Rubens' grand altarpiece (1617-1618) exemplifies Flemish Baroque at its peak. The dynamic diagonal composition, sumptuous colors, and multiple figures create an overwhelming vision of religious splendor that embodied Counter-Reformation ideals.
An Elegant Company
Dirck Hals captured elite social life in 1630s Flanders with this sophisticated genre scene. The painting combines careful observation of fashion and interiors with narrative charm, showcasing the wealth and cultural refinement of merchant-class patrons.
The Continence of Scipio
Poussin's 1640 masterpiece represents French classical Baroque. The balanced composition and rational clarity distinguish it from more dynamic Italian works, emphasizing moral instruction through carefully arranged figures and classical architecture.
The Night Watch
Rembrandt revolutionized group portraiture in 1642 by transforming a militia commission into theatrical drama. Dynamic lighting, movement, and narrative energy replace traditional static arrangements, creating one of art history's most celebrated works.
Old Peasant Lighting a Pipe
Van Ostade applied grand Italian chiaroscuro techniques to humble Dutch subjects in the 1650s. A single candle dramatically illuminates the peasant's face, demonstrating how Baroque lighting could elevate everyday moments into powerful visual experiences.
Girl with the Pearl Earring
Vermeer's iconic tronie (c. 1665) showcases the quieter side of Dutch Baroque. Masterful light handling, smooth surfaces, and the subject's enigmatic gaze create an intimate portrait that has captivated viewers for centuries.
After the Bullfight
Mary Cassatt's 1873 painting bridges Baroque traditions with emerging modern approaches. The dramatic subject matter and strong tonal contrasts echo Baroque principles while pointing toward new artistic directions in late 19th-century art.
Jupiter Rebuked by Venus
De Matteis' grand mythological scene (1706-1710) represents late Baroque Naples. Trained in Luca Giordano's tradition, this work displays the grand manner style—large scale, classical mythology, diagonal composition, and rich color favored by Italian courts.